Archive by Author

Griffiths, Rachel Eliza 2015

Thursday, May 7, 2015
with R. A. Villanueva
Chicago Cultural Center

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Another time after she left
I saw a headless woman
hurrying after her like a jaguar.

– Rachel Eliza Griffiths, “Discrepancies Regarding My Mother’s Departure”

Continue reading this poem⇒

Read this interview with Rachel Eliza Griffiths from The Rumpus:

The Rumpus Interview with Rachel Eliza Griffiths – The Rumpus

Rachel Eliza Griffiths’s Mule & Pear is one of the most affecting books of poetry I’ve ever had the pleasure of reading

I pick you up
& you are a child made of longing
clasped to my neck. Iridescent,
lovely, your inestimable tantrums,
I carry you back & forth
from the famine in your mind.

– Rachel Eliza Griffiths, “Dear America”

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Watch Rachel Eliza Griffiths read some of her work:

A Four Way Books Salon: Rachel Eliza Griffiths

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More info on Rachel Eliza Griffiths⇒

City-Wide Graduate Student Reading 2015

Friday, April 3, 2015

Featuring:

Hannah Keene, The School of the Art Institute of Chicago

“fortunes wrapped around a wounded nest” by Hannah Keene

Excerpt from a reading of two poems by Hannah Keene for HI typ/O 11 at The Side Project Theatre, July 2014.

Josh Fisher, DePaul University

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Hannah Brooks-Motl, University of Chicago

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Jim Davis, Northwestern University

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Teresa McMahon, Columbia College

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More info about this event⇒

Marchetti, Sandra 2015

Thursday, March 12, 2015
with Stuart Dybek
Chicago Cultural Center

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You miss it, craning
away from verdancy.
Pause in this place
while I glaze you;
my head tilts
a direction you can’t read.

– Sandra Marchetti, “Sur l’herbe”

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Read this interview with Sandra Marchetti from So to Speak Journal:

http://sotospeakjournal.org/poem-conversation-with-sandra-marchetti/

I listen to your fishing
story and wonder,
does anyone cook
the catch anymore?

– Sandra Marchetti, “Imagination”

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Watch Sandra Marchetti read her work at Waterline Writers:

https://vimeo.com/90143266

More info on Sandra Marchetti⇒

Shaw, Alix Anne 2015

Thursday, February 19, 2015
with Lana Rakhman
Chicago Cultural Center

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low red door I enter in
the desert        slaked by rain

in this a kind of format
an interstice        a splice

between the sad time
and the next        sad time

– Alix Anne Shaw, “Parturition”

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Watch Alix Anne Shaw read her work:

My friends, the kind weather is over. On the street, I turn my eyes
from the men who wait at the corner, poised to pry the slightest
opening. The sign says please break boxes, but it looks like please

– Alix Anne Shaw, “Schrödinger’s Cat is Mine Now”

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More info on Alix Anne Shaw⇒

Rakhman, Lana 2015

Thursday, February 19, 2015
with Alix Anne Shaw
Chicago Cultural Center

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When is an embrace the
antithesis of hunger? Restrain,
re-train, recite the words you
learned again: the payoff,

– Lana Rakhman, “XIII.”

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They are young. They are looking
at their future grave. At their past
grave. Already with two feet
in the grave, who will cut flowers down
for them? 

– Lana Rakhman, “Black & White Photograph, 1982”

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More info on Lana Rakhman⇒

Cage, John 1983; 1992

Sunday, September 25, 1983
Sunday, March 1, 1992

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There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot.

– John Cage

Listen to John Cage’s 1992 Poetry Center reading:

 

Vintage poster of Poetry in Motion: a film by Ron Mann with Amiri Baraka, Ted Berrigan, Charles Bukowski, William Burroughs, John Cage, Robert Creeley, Diane Di Prima, Kenward Elmslie, Allen Ginsberg, Michael McClure, Ed Sanders, Gary Snyder, Tom Waits, Anne Waldman at the Poetry Center of Chicago.

Vintage poster of Poetry in Motion: a film by Ron Mann with Amiri Baraka, Ted Berrigan, Charles Bukowski, William Burroughs, John Cage, Robert Creeley, Diane Di Prima, Kenward Elmslie, Allen Ginsberg, Michael McClure, Ed Sanders, Gary Snyder, Tom Waits, Anne Waldman at the Poetry Center of Chicago.

 

Read John Cage’s “Lecture on Nothing:”

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Check out this documentary about John Cage:

UbuWeb Film & Video: “American Masters” John Cage: I Have Nothing to Say and I Am Saying It

TV Series: “American Masters” (1983) Original Air Date: 17 September 1990 Country: UK 55 min John Cage On His Way With Sound By JOHN J. O’CONNOR New York Times Published: September 17, 1990 Perhaps the most striking thing about John Cage is his ability to reduce just about anyone in his vicinity to a gentle smile.

More info on John Cage⇒

American Poets Reading 2002

Wednesday, September 18, 2002
American Poets Reading
Jenny A. Burkholder, Deborah Cummins, Janice Harrington, and John Mann

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The patient was taken to the operating room
reliving 10th grade,
how they chased warm gin with milk.

– Jenny A. Burkholder, “Deconstructing the Right Breast”

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He sits beside his wife who takes the wheel.
Clutching coupons, he wanders the aisles
of Stop & Save. There’s no place he must be,
no clock to punch. Sure,
there are bass in the lake, a balsa model
in the garage, the par-three back nine.
But it’s not the same.
Time the enemy then, the enemy now.

– Deborah Cummins, “At a Certain Age”

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Evening, and all my ghosts come back to me
like red banty hens to catalpa limbs
and chicken-wired hutches, clucking, clucking,
and falling, at last, into their head-under-wing sleep.

– Janice Harrington, “Shaking the Grass”

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Mann

The body captures the rhythm. A kind
of lilt to the step. Never a tread. You
are looking for ladders to the world.
Hooks. Sometimes it is like holding on
to the strap in a swaying subway.

– John Mann, “Mr. Mann Finds a How To Manual”

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More info on Jenny A. Burkholder⇒

More info on Deborah Cummins⇒

More info on Janice Harrington⇒

More info on John Mann⇒

American Poets Reading 2003

Thursday, March 6, 2003
American Poets Reading
Traci DantDuriel Harris, Patricia McMillen, and Andrew Zawacki

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I come
from a family
that twice names
its own.
One name
for the world.

– Traci Dant, “A Twice Named Family”

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Gilded, the jaw forgets
fracture at the pointer’s tip
(red jaw, forgotten rings
inadvertent discord, picked up,
thrown into anger). To say
I feel like breaking something

– Duriel Harris, “self portrait in relief”

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Listen to Patricia McMillen read her poem, “Fill ‘Er Up” on GLT’s Poetry Radio⇒

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If it be warfare, let it be mistress
and midnight up that slope,
not reticent in a weather
of withdrawal, its salmon-roe tint,
the shabby grass it grazes

– Andrew Zawacki, “Any Other Eviction, Than The Frequent”

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More info on Traci Dant⇒

More info on Duriel Harris⇒

More info on Patricia McMillen⇒

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A Formal Feeling Comes 1998

Wednesday, April 29, 1998
A Formal Feeling Comes: A program celebrating multi-formalism
Debra Bruce, Annie FinchJohn Frederick Nims, Paulette Roeske, and Cin Salach
Beginning of the A Formal Feeling Comes broadside series.

Beginning of the A Formal Feeling Comes broadside series.

Buy the A Formal Feeling Comes broadside series⇒

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he smells like leather and mint and the El that shot
him through the city. Now he slips
his headstrap off, his black patch. But not
for them–the ones who heaved at him and swung
their taunt: Let’s see what’s under there.

– Debra Bruce, “The Fitting”

annie-finch

is the sound of my loud carrying life a knell
far across your small ocean? Do you share
the secret that the months keep hidden there?

– Annie Finch, “Three Generations of Secrets”

Glossies of Eden? The slim beached curled
Between rocks and the frill of foam–that’s when
There’s thunder of tunnels and the underworld.

John Frederick Nims, “from the rapido: la spezia-genova”

roeske

You have given me
too much: two pearls, two moons ascending–
luminous, miraculous,
like your two hands as I see them in dreams.

– Paulette Roeske, “Too Much”

cin salach

This is what I was afraid of:
This paper   this though   lines
dividing white space     lines dividing
nothing.
This exhaustion     this futility
this game or promise.

– Cin Salach, “specifically”

More info on Debra Bruce⇒

More info on Annie Finch⇒

More info on John Frederick Nims⇒

More info on Paulette Roeske⇒

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Mixed Bag Series 1999

Wednesday, January 27, 1999
Mixed Bag Series – 5 Chicago Performance Poets
Nina Corwin, Kent Foreman, Regie Gibson, Maria McCray, and Marvin Tate
Cover of the Mixed Bag broadside series.

Cover of the Mixed Bag broadside series.

Buy the Mixed Bag broadside series⇒

Corwin-web

She learned the meaning of industry
From Sunday school sermons on
Protestant virtue,
the third little pig,
the spider not the fly,
and the squirrel putting up supplies
for the barren season–

– Nina Corwin, “Lady Sisyphus”

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It is the law:
seasons, best selling books and empires
come and go.
Babies are born to die,
bridges are built to one day fall
and shoes wear out.

– Kent Foreman, “It is the Law”

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Amazon of song
valkyrie riding astride blue horses
of chanted mystery
you who assassinate
the killer of your
children’s dreams

– Regie Gibson, “Poet Woman”

Billie sang!     the truth of blooming blood blossoms
the bottomless search-seek for love,
the pitless people, pillaging, plagiarizing,
picking apart

– Maria McCray, “Holliday & Well Worth a Celebration”

she wants to reclaim her body
change it back to its original shape
like when she danced, you know she use
to dance, in the middle of a drum circle

– Marvin Tate, “Blue eggs for a blue poet”

More info on Nina Corwin⇒

More info on Kent Foreman⇒

More info on Regie Gibson⇒

More info on Maria McCray⇒

More info on Marvin Tate⇒