Archive by Author

Bruce, Debra 1998

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he smells like leather and mint and the El that shot
him through the city. Now he slips
his headstrap off, his black patch. But not
for them–the ones who heaved at him and swung
their taunt: Let’s see what’s under there.

– Debra Bruce, “The Fitting”

Broadside of "The Fitting" by Debra Bruce.

Broadside of “The Fitting” by Debra Bruce.

Buy this broadside in a series with Paulette Roeske, Annie Finch, John Frederick Nims, and Cin Salach⇒

Read an interview with Debra Bruce from Diane Lockward’s Poetry Salon:

Poetry Salon: Debra Bruce

I am happy to host today’s Poetry Salon for Debra Bruce . I first met Debra on the Wompo Poetry Listserv. I then had the pleasure o…

Sometimes her tongue is numb
all morning, she says, but
she doesn’t say when
to go back, maybe at the first
crackle of bone as you bend
for the baby’s dropped spoon.

– Debra Bruce, “Granny Dunn Says Go Back”

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Watch this discussion including Debra Bruce and Jennifer Dotson from Poetry Today:

Poetry Today – Debra Bruce & Jennifer Dotson

Uploaded by Vic Walter on 2015-03-03.

More info on Debra Bruce⇒

Roeske, Paulette 1998

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You have given me
too much: two pearls, two moons ascending–
luminous, miraculous,
like your two hands as I see them in dreams.

– Paulette Roeske, “Too Much”

Broadside of "Too Much" by Paulette Roeske.

Broadside of “Too Much” by Paulette Roeske.

Buy this broadside in a series with Annie Finch, Debra Bruce, John Frederick Nims, and Cin Salach⇒

A man I know is out in it, bent
on a senseless errand. He chafes his hands,
mutters into his frozen bears. If
he returns, he will tell stories
of pigeons fallen like stones
from their perch under the El
while wondering whether I would mourn
his passing.

– Paulette Roeske, “Cold Snap”

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More info on Paulette Roeske⇒

Fammerée, Richard 2000

Tuesday, January 18, 2000

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I captured my daughter running
between water and violet
fire and viridian
emeralds and ancestors their green
day bed of reveries
a mythology of first days

– Richard Fammerée, “Camera obscura”

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Watch the video for “Silence in Your Eyes” from his album, “Fammerée & Eurydice:”

Richard Fammerée – Silence in Your Eyes c2008

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Her body is hillocks, pond and spring, long
planted and greener before. Her spine is
the trysting tree from the time of the
grandparents. It is where they meet
and court. Birds turn and return. Her girls
come back. The wind sails their hair
in three directions: light, silk, conifer.

– Richard Fammerée, “February-October”

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Corwin, Nina 1999; 2001; 2017

Thursday, April 19, 2001
Wednesday, October 4, 2017
with Mark Tardi
57th Street Books

Corwin-web

She learned the meaning of industry
From Sunday school sermons on
Protestant virtue,
the third little pig,
the spider not the fly,
and the squirrel putting up supplies
for the barren season–

– Nina Corwin, “Lady Sisyphus”

Broadside of "Lady Sisyphus" by Nina Corwin.

Broadside of “Lady Sisyphus” by Nina Corwin.

Buy this broadside in the Mixed Bags Series⇒

Conceived under a whore’s moon, no doors
on our seventh house, we wear our bodies uneasily
as if our skins shrunk in the drying cycle,
walk both sides of yellow lines
or sit at the edges of chairs, one tooth loose,
the new one pushing close behind.

– Nina Corwin, “Inhabitants of the Cusp”

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Read this post-interview piece on Nina Corwin from Fifth Wednesday Journal:

http://www.fifthwednesdayjournal.com/an-interview-with-nina-corwin/

Incision to be scheduled in bull’s-eye red.
Enchanted scalpels side-by-side,
line up to make the cut un-kind.
They come to fetch (clip-clop) in step.

– Nina Corwin, “Ligamentary, My Dear”

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Watch Nina Corwin read her poem “Variations on a Theme by Pablo Neruda” with the Chicago Symphony Orchestra:

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Original poem performed on a program with the Chicago Metropolitan Symphony Orchestra. From The Uncertainty of Maps (2011). On this Sunday afternoon, I had the wonderful opportunity to perform 3 poems along with the narration for Benjamin Britten’s “Young Person’s Guide to the Orchestra.

More info on Nina Corwin⇒

Mann, John 2002

Mann

The body captures the rhythm. A kind
of lilt to the step. Never a tread. You
are looking for ladders to the world.
Hooks. Sometimes it is like holding on
to the strap in a swaying subway.

– John Mann, “Mr. Mann Finds a How To Manual”

Continue reading this poem⇒

Read this interview with John Mann from The McDonough County Voice:

Q&A with Poet John Mann

Poet John Mann was a English instructor at Western Illinois University and local resident for many years, and next week he’ll return to read his work. Mann, who retired from WIU in 2008 and current…

His plants are alive. They shelter
his head where he sits each
dawn. They are his friends.
They practice the speech of silence.

– John Mann, “Speak Now or Forever, Mr. Mann”

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Harrington, Janice 2002

Wednesday, September 18, 2002
American Poets Reading
with Jenny A. Burkholder, Deborah Cummins, and John Mann

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Evening, and all my ghosts come back to me
like red banty hens to catalpa limbs
and chicken-wired hutches, clucking, clucking,
and falling, at last, into their head-under-wing sleep.

– Janice Harrington, “Shaking the Grass”

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Read this interview with Janice Harrington from Ploughshares:

Hearing Voices: Women Versing Life presents Janice N. Harrington – The Ploughshares Blog

As a poetry editor at Prick of the Spindle, I find that poems about certain subjects, such as childhood, love, aging, and death, often lean too heavily on nostalgia, so that the language limps. In fact, I’ve been guilty of writing my own nostalgic poems now and again- and again.

if I purloin protons, all the negative numbers,
and seven of Cantor’s infinities,
if the world’s sweetness drips from my lips–
syrupy, nectareous, honey-wined cascades
of sweetness between full lips–

– Janice Harrington, “The Thief’s Tabernacle”

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Watch Janice Harrington read her work for the River Styx Magazine:

River Styx at the Tavern: Janice N. Harrington & George Singleton

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More info on Janice Harrington⇒

Cummins, Deborah 2002

He sits beside his wife who takes the wheel.
Clutching coupons, he wanders the aisles
of Stop & Save. There’s no place he must be,
no clock to punch. Sure,
there are bass in the lake, a balsa model
in the garage, the par-three back nine.
But it’s not the same.
Time the enemy then, the enemy now.

– Deborah Cummins, “At a Certain Age”

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Watch Wes McNair’s Maine Poetry Express video featuring Deborah Cummins:

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Wes McNair’s Maine Poetry Express with Deborah Cummins, Conductor: Are poets and local residents read the best of Maine poetry with Main’s poet laureate Wesly McNair

Once more, in their dumb unknowing,
sandhill cranes are pulled to a place
they must again and again get back to.

– Deborah Cummins, “Passage”

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Burkholder, Jenny A. 2002

Wednesday, September 18, 2002
American Poets Reading
with Deborah Cummins, Janice Harrington, and John Mann

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Read Jenny A. Burkholder’s non-fiction work, “Boob Party,” from So to Speak Journal:

http://sotospeakjournal.org/boob-party/

In my new red high heels, a Rolex with a face of a hundred tiny diamonds, and my new black leather dress snuggled around my hips, I plan to smoke three cigarettes. First one I’ll light with a plastic Bic lighter, rough around the edges from opening too many beer tops, and inhale deeply.

– Jenny A. Burkholder, “Dorothy”

Continue reading this prose poem⇒

More info on Jenny A. Burkholder⇒

Maciel, Olivia 2001

Thursday, March 15, 2001
with Kent Foreman and Sheila Donohue

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Read Olivia Maciel’s article entitled “A Brief Homage to Octavio Paz” from the Chicago Tribune:

http://articles.chicagotribune.com/1998-04-26/news/9804260203_1_octavio-paz-li-young-lee-poetry

Watch Olivia Maciel read and translate some of her poetry from The Guild Lit Channel:

Palabra Pura, Olivia Maciel, January 15, 2014

One Poet, One Poem ! This annual event celebrates the past and future curators of Palabra Pura. What a talented line up!

More info on Olivia Maciel⇒

Donohue, Sheila 2001

Thursday, March 15, 2001
with Kent Foreman and Olivia Maciel

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Listen to Sheila Donohue read her poem, “Ice Skating: Age 9” from poetrypoetry.com:

Find out about Sheila Donohue’s salon for art and activism, Center Portion:

Center Portion: real people in a real place, experiencing writers, speakers, musicians and educators – live.

Sheila Donohue and Greg Scott believe so strongly in the power of art (and its ability to effect change) that they carved out a space in their home to support it. Center Portion is a salon, whose donations are used for direct support of the people who present their ideas.

More info on Sheila Donohue⇒