Audio recording of the Poetry Center Reading Series featuring Billy Collins, Andrei Codrescu, Ron Padgett, Lucille Clifton, Mark Perlberg, Li-Young Lee, Lawrence Ferlinghetti, Anne Waldman, Yusuf Komunyakaa, Lisel Mueller, Ted Kooser, Paul Carroll, Jorie Graham, and Paul Hoover.
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Audio recording of the Poetry Center Reading Series featuring Billy Collins, Andrei Codrescu, Ron Padgett, Lucille Clifton, Mark Perlberg, Li-Young Lee, Lawrence Ferlinghetti, Anne Waldman, Yusuf Komunyakaa, Lisel Mueller, Ted Kooser, Paul Carroll, Jorie Graham, and Paul Hoover.
Listen to Maxine Chernoff’s 2000 Poetry Center reading:
What the body might guess,
what the hand requests,
what language assumes
becomes amulet,
which is to say
I am carrying your face
in a locket in a box
to a virtual location
guarded by kestrels,
City Lights} On Thurs Sept 22 11 Omnidawn Publishing presented readings by Cyrus Console, Donald Revell, Maxine Chernoff, and Elizabeth Robinson at City Lights Bookstore. Find more at http://litseen.com.
Women don’t riot, not in maquilas in Malaysia, Mexico, or Korea,
not in sweatshops in New York or El Paso.
They don’t revolt
in kitchens, laundries, or nurseries.
Not by the hundreds or thousands, changing
sheets in hotels or in laundries
when scalded by hot water,
not in restaurants where they clean and clean
and clean their hands raw.
Listen to Ana Castillo’s 2005 reading for the Poetry Center of Chicago:
Remembering Revelation I wanted to laugh,
the way a nonbeliever remembers Sunday School
and laughs, which is to say–after flood and rains,
drought and despair,
abrupt invasions,
disease and famine everywhere,
we’re still left dumbfounded
at the persistence of fiction.
Spring cleaning in Baltimore always involved
a yellow bucket sloshing with soapy water
and a rag recognized as the tattered remains
of my father’s bowling shirt, circa 1973.
– Garrett J. Brown, “Lost Anecdote From The Pages Of Vasari”
Receding hairline, your rented room
in the wooded hills beyond light
pollution and suburbia, your penchant
for slender women with large eyes
and small breasts, talent for language
He said, “We do not love by word alone,”
And pulled the silence down around his voice
As though a sound could hurt him. Since those words
Became their own perverse, inviting promise,
She had to smile: “Then what is left to say
That you will listen to, except a kiss?”
It’s a vocabulary of old country
songs, unfaithful women
and open roads, a scratchy
vinyl itching in her thighs.
This fear of swimming pools
and gas station bathrooms.
Listen to Kristy Bowen read her poetry for the Poetry Center of Chicago Reading Series, with Misty Harper and Katrina Vandenberg:
Kristy Bowen begins reading at 4:02 minutes.
This tiny thing breathing between us that aches something awful. By summer, I am slipping all the complimentary mints in my coat pockets while you pay the check. Gripping the railings on bridges to keep diving over. Some dark dog in my throat when I say hello.
Kristy Bowen is a prolific Chicago poet and artist who has published several full-length books of poetry, such as girl show (black Lawrence Press, 2013) as well as multiple chapbooks, including Apocalypse Theory: A Reader (SFSU Poetry Center Chapbook Exchange, 2013) and I*HATE*YOU*JAMES*FRANCO (sundress publications, 2012).
Audio recording of the Poetry Center Reading Series featuring Tom Raworth, Diane di Prima, Kimiko Hahn, Eugene Gloria, Patricia Smith, Luis Rodriguez, Robert Bly, Brian Turner, Bruce Weigl, Tyehimba Jess, A. Van Jordan, Arielle Greenberg, Billy Corgan, Franz Wright, Czeslaw Milosz, Louise Glück, and Alicia Ostriker.
In the deep fall, the body awakes,
And we find lions on the sea-shore–
Nothing to fear.
The wind rises, the water is born,
Spreading white tomb clothes on a rocky shore,
Drawing us up
From the bed of the land.
And the wind is the moan of the prairie
That haunts and bedevils the plains
The soul stealin’ kind that can fray a man’s mind
Till only his whimper remains
He was every burnt out cowboy that I’d seen a million times
With dead man penny eyes, like tarnished brass,
That reflected accusations of his critics and his crimes
And drowned them in the bottom of a glass.
Must I anger and must my anger pearl,
My anger pearl, must I pearl, must I polish
Madness daily, rub nacre into a world
Perfect, round, what in my hand should finish
B. K. Fischer, writing about two of Dan Beachy-Quick’s books for the Boston Review, locates what she sees as a struggle for him and his contemporaries-or for any poet born […]
Record no oiled tongue, diary–
Note my lantern bruises the low
Clouds with light the evening
We talked. Almonds in a bowl;
She ate none. I did
Not bid her remove her dark
Gloves as sometime before she had done.
– Dan Beachy-Quick, “[Record no oiled tongue, diary]