Archive by Author

Reeves, Roger 2014; 2016

Friday, August 29, 2014
Six Points Reading Series
with Jason Koo and Simone Muench
Chicago Cultural Center
Saturday, February 6, 2016
with Christopher Soto, Emily Jungmin Yoon, and Jamila Woods
Subterranean
Saturday, April 9, 2016
with Fatimah Asghar and Ladan Osman
Tea Project at Links Hall

bw+elbow

They part
here—the boy’s body found
in another man’s arms, carried back
to town, as the horse says nothing
because horses don’t speak, besides
this one’s dead. 

– Roger Reeves, “The Mare of Money”

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Roger Reeves, Simone Muench, and Jason Koo at the Poetry Center of Chicago’s Six Points Reading Series, August 29, 2014.

I will begin with braces
strung across a man’s teeth
as a downed kite might
string itself across four lanes
of a seven-lane highway

Roger Reeves, “Brazil”

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Watch Roger Reeves give his talk, “The Work of Art in the Age of Ferguson, Baltimore, and Charleston,” at Poets & Writers Live Chicago:

More info on Roger Reeves⇒

Redmond, Eugene 1998

Wednesday, February 11, 1998
with Ana Castillo

Roiled blood, rising like Katrina, floods “Baltimoor,”
harbor of bitter succor that once bore
Cullen’s “furnace” & Billie’s lore…

– Eugene Redmond, “Baltimoor”

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Watch Eugene Redmond read “I Can Never Unlove You:”

I Can Never Unlove You by Eugene B Redmond

Prof. Eugene Redmond reads” I Can Never Unlove You” at Asili night, November 2007, Miami Dade College

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Spain, Sahara Sunday 2002

Wednesday, February 20, 2002

sahara sunday spain

If you had sensational love,
what would you feel?
Certainly my heart
would be in the realms of glory
with the great mind of Divine.

– Sahara Sunday Spain, “Follow Your Dreams”

Broadside of Sahara Sunday Spain's poem, "Follow Your Dreams."

Broadside of Sahara Sunday Spain’s poem, “Follow Your Dreams.”

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Read this article about Sahara Sunday Spain from The Guardian:

Sahara Sunday Spain’s book of poems

Sahara Sunday Spain’s book may be a sensation, writes Edward Helmore.

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Reddy, Srikanth 2005

Wednesday, February 9, 2005
with Joel Craig and Kristy Odelius

Drops of water falling on a stone. The hectic design of the fly. Geography of the East. Observer in ruins.

– Srikanth Reddy, “Voyager (3)”

Broadside of “Voyager (3)” by Srikanth Reddy

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Buy this broadside in a series with Joel Craig and Kristy Odelius⇒

It’s dark in here, the dark inside of a man
in the dark. It’s not night. One hears crows
overhead, dawn fowl caws, the shod soles again

– Srikanth Reddy, “First Circle”

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Watch Srikanth Reddy read his poem, “Fundamentals of Esperanto,” at the Kelly Writers House:

Srikanth Reddy reads “Fundamentals of Esperanto” at the Kelly Writers House, 3-27-10

Srikanth Reddy reads “Fundamentals of Esperanto” at the Kelly Writers House on March 27, 2010 as part of the Whenever We Feel Like It Reading Series. Watch the complete event at http://media.sas.upenn.edu/watch/99995 To learn more, go to: http://writing.upenn.edu/wh/calendar/0310.php#27 Visit the Kelly Writers House at writing.upenn.edu/wh Srikanth Reddy’s first collection, Facts for Visitors, received the Asian American Literary Award for Poetry in 2005.

More info on Srikanth Reddy⇒

Soto, Gary 2005

Wednesday, May 18, 2005

gary soto

I was hoping to be happy by seventeen.
School was a sharp check mark in the roll book,
An obnoxious tube playing at noon…

– Gary Soto, “Saturday at the Canal”

gary soto sat at the canal

Broadside of Gary Soto’s poem, “Saturday at the Canal.”

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Listen to Gary Soto’s 2005 reading for the Poetry Center of Chicago:

Vintage poster of Gary Soto's reading for the Poetry Center of Chicago.

Vintage poster of Gary Soto’s reading for the Poetry Center of Chicago.

First I forgot your voice, then the photo you gave me.
When a leaf fell I no longer
Thought of you, shy and wordless, in a raked yard.
I no longer saw you as
The dark girl among trees,
At the entrance to a story for which
The end was always marriage and a bright car.
Your voice never came back; at night
I was left to my nonsense and a typewriter
That couldn’t get things right.

– Gary Soto, “Her”

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Watch Gary Soto read some of his work:

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Raworth, Tom 2008

Wednesday, November 12, 2008

poetry is neither swan nor owl
but worker, miner
digging each generation deeper
through the shit of its eaters
to the root – then up to the giant tomato

– Tom Raworth, “Gaslight”

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Audio recording of the Poetry Center Reading Series featuring Tom Raworth, Diane di Prima, Kimiko Hahn, Eugene Gloria, Patricia Smith, Luis Rodriguez, Robert Bly, Brian Turner, Bruce Weigl, Tyehimba Jess, A. Van Jordan, Arielle Greenberg, Billy Corgan, Franz Wright, Czeslaw Milosz, Louise Glück, and Alicia Ostriker.

Audio recording of the Poetry Center Reading Series featuring Tom Raworth, Diane di Prima, Kimiko Hahn, Eugene Gloria, Patricia Smith, Luis Rodriguez, Robert Bly, Brian Turner, Bruce Weigl, Tyehimba Jess, A. Van Jordan, Arielle Greenberg, Billy Corgan, Franz Wright, Czeslaw Milosz, Louise Glück, and Alicia Ostriker.

Buy this audio recording featuring Tom Raworth⇒

occasionally the metabolism alters
and lines no longer come express
waiting for you what muscles work me
which hold me down below my head?

– Tom Raworth, “The University of Essex”

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Watch Tom Raworth read some of his work:

a joyful summit of old savages – Tom Raworth

On a rainy wednesday night in London, on April 18th 2012, one of the most remarkable poetry readings in recent memory saw Andrei Codrescu, Gunnar Harding, Anselm Hollo and Tom Raworth perform excerpts from their work at the Horse Hospital in Bloomsbury.

More info on Tom Raworth⇒

Snodgrass, W.D. 1998

Wednesday, October 14, 1998

WD-Snodgrass-001

I taught myself to name my name,
To bark back, loosen love and crying;
To ease my woman so she came,
To ease an old man who was dying.
I have not learned how often I
Can win, can love, but choose to die.

– W. D. Snodgrass, “April Inventory”

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Read this interview with W. D. Snograss from the Paris Review:

The Art of Poetry No. 68

W. D. Snodgrass received one of his profession’s highest honors early on in his career when he won the Pulitzer Prize in poetry, in 1960, for his first book of poems, Heart’s Needle. Yet the winning of this coveted prize brought numerous pressures and seductions. Snodgrass…

The eyelids glowing, some chill morning.
O world half-known through opening, twilit lids
Before the vague face clenches into light;
O universal waters like a cloud,
Like those first clouds of half-created matter;
O all things rising, rising like the fumes

– W. D. Snograss, “Monet: ‘Les Nymphéas'”

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Watch W. D. Snodgrass read some of his work:


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Randall, Alice 2001

Friday, July 20, 2001

If I strip the flesh off my bones, like they stripped the clothes off my flesh in the slave market down near the battery in Charleston, this would be my skeleton: childhood on a cotton farm; a time of shawl-fetch slavery away in Charleston; a bare-breasted hour on an auction block…

– Alice Randall, “The Wind Done Gone: A Novel”

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Listen to an interview with Alice Randall and others about her book, “Ada’s Rules:”

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Smith, Dave 1981

Friday, May 1, 1981

davesmith

In spatter of spring shade and sun,
I spread my grandfather’s death
on his picnic table, his keys, notes
on cars he owned, travels he made,
repair kits for everything, an aerial
map of the Chesapeake Bay.

– Dave Smith, “A Boy With Ringworm”

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Read this interview with Dave Smith from How a Poem Happens:

Dave Smith

Dave Smith’s recent books include Afield: Writers on Bird Dogs (Skyhorse, 2010), edited with Robert DeMott ; The Wick of Memory: New and Se…

They hawk the yard, heaving big beaks,
laborers with picks, hoes, mattocks,
black all over them the formal suits
something has taught them to hang up
in bright air, brushed to sleekest shine,
and worn with the insouciance of rakes.

– Dave Smith, “Morning Grackles”

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Watch Dave Smith read some of his work:


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