The places where Edmonia’s bones were fractured still hold violent reverberations. When it rains I massage the static hum out of each point of impact. There is nothing heavier than flesh that wishes to be on another axis, except perhaps stone she shaped. Tonight she tells me, it’s impossible to bring a lover to the small death she deserves. An orgasm is excavated, never given. She takes my face in her hands without permission.

in the dream where I run without breasts I am motivated by flight, I haven’t yet begun to unweld the framework, invent new trauma, whip the stitch arching each bosom as victuals dangled, withheld. when I hemorrhage against design it ain’t incognito. the neighbors walk their dogs past me. that’s me smoking in the alley, letting roses from my wrists. petal to puddle, a misgendering of matter. these hooves unhinge themselves as tiny meteors to cudgel dusk.

I also believe that any artist always works within the context or conditions that are indigenous to their time and, in doing so, reflects the energy, temperament and attitudes of that climate.

Then it is autumn in the body.
Your hands are cold.
Then it is winter and we are still at war.

They wanted him to stop kicking like that–
it made their eyes corkscrew, drilled the sun in the sky
so light dumped out like blood from a leak.
The boy in the trunk wouldn’t die.

Be glad your nose is on your face,
not pasted on some other place,
for if it were where it is not,
you might dislike your nose a lot.