The front porch is a space in-between our private family space and our more public spaces where we create our own definition of “community.” In many parts of Chicago, this space is often a battleground.
Just like a curse, rain fell for two weeks, hissing on shingles and in nearly naked trees, and the river, dammed by brush and rotted elms, began to rise. Sun sometimes shone, and sometimes the rain held off an hour, but the ground was always spongy, and mud was on everything. The river wound around the hamlet, in some places close to backyards, in others separated from yards by hillocks and cabbage fields. It was a dark autumn, and always cold; the cabbage stank in the early mornings and late at night. And the water table rose in response to the rain and pushed through deep foundation stones and up through cracked cement cellar floors, pooled around furnaces and freezers and water heaters, triggered sump pumps which gargled out the water which ran back into the ground and reappeared inside, rising slowly, in the darkness of the cellars looking black.
– Frederick Busch, “What You Might As Well Call Love”
Michael Benedikt was an exemplary poet, a dedicated editor and an agoraphobic recluse. His work was almost lost forever – until two poets rescued his archive and published a selection, Time is a Toy.
Fraudulent days, the surfaces collapse
When against them you press your finger
The beautiful brick suit
When you scrape it is only a tinsel clothing
The whole upper stories of the building
Touched, is a seagull’s back, revealed
Which writers inspire you? My literary influences are a crazy broth of very disparate authors. The poets I most admire are Albert Goldbarth, Angela Ball, Roger Weingarten, John Lane Michael Chitwood, Susn Ludvigson, Rainer Maria Rilke, Beckian Fritz Golberg, and Charles Harper Webb. I guess the poet whose work I go back to most that…
He can’t stop thinking about apricots shriveling, paint belching, tiny frogs dripping above matches. Outside his secret fort, yellowing sycamore leaves crackle.
Seems ages on the hill above the rocky point
I have kept my eyes on the horizon where sky
drops to sea. No sign of any ship I do not
recognize, just the ragtag wornout fishing fleet
about to sink. No single sail grabbing the wind
and fifty men at oars to tell us you are back.
On a high plateau where the earth rounds off
the edge of nothing and the sky pours down
like hail so heavy that the pickup squats
on its springs and groans toward the horizon,
you think of Andy, all those years long gone.
A shadow of the sun
a silhouette created by a sunset
One more summer has came and went
and I’m sitting inbetween the hours of 8 and 9
miserable and lonely
Russell Banks was born on March 28, 1940 in Newton, Massachusetts and raised in the small town of Barnstead, New Hampshire, the son of Earl and Florence Banks. His father, a plumber, deserted the family when Banks was twelve. Banks helped provide for his mother and three siblings. An excelle…
What you believe matters, however. It’s all anyone has to act on. And since what you do is who you are, your actions define you. If you don’t believe anything is true simply because you can’t logically prove what’s true, you won’t do anything. You won’t be anything. You’ll end up spending your life in a rocking chair looking out at the horizon waiting for an answer that never comes. You might as well be dead. It’s an old philosophical problem.
– Russell Banks, Lost Memory of Skin
Watch this interview with Russell Banks on writing:
You who see our homes at night
and the frail walls of our conscience,
you who hear our conversations
droning on like sewing machines
–save me, tear me from sleep,
from amnesia.
Born in Lvov in 1945, Adam Zagajewski is one of the most well-known and highly regarded contemporary Polish poets. His luminous, searching poems are imbued by a deep engagement with history, art, and life. His books include Tremor: Selected Poems (Farrar, Straus and Giroux, 1985), Canvas (FSG, 1991), Mysticism for Beginners (FSG, 1997), and Without End: New and Selected Poems (FSG, 2002).
Autumn is always too early.
The peonies are still blooming, bees
are still working out ideal states,
and the cold bayonets of autumn
suddenly glint in the fields and the wind
rages.
We cannot push ourselves away
from this quiet, even in our sprees
of inattention, the departing passengers
stubbing out their smokes, arrivees in tears,
lots of cellophane, the rumpus over parking.
Listen to Dean Young’s reading with Kenneth Koch for the Poetry Center of Chicago on February 10, 2000:
You shouldn’t have a heart attack
in your 20s. 47 is the perfect time
for a heart attack. Feeding stray shadows
only attracts more shadows. Starve a fever,
shatter a glass house. People often mistake
thirst for hunger so first take a big slurp.
The poet’s latest collection, Fall Higher, was published just days after he received a life-saving heart transplant. Now, Young is on the mend, but his book recalls when he was staring down death.